QU-SB
Allen &heath - QU-SB

Allen&Heath - QU-SB

Prix FFWD 1 400 €
ALLE355878
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Portable 18 in / 14 out Digital Mixer with remote wireless control

u-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.    
    Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full
of outboard FX.     The companion Qu-Pad app is a slick, intuitive interface for setting up the show and mixing live from your iPad, and there’s also a customisable Qu-Control app that lets you choose just a few essential controls that you really need in front of you for easy access during the show.     Couple these with the Qu-You personal monitoring app for Android / iOS and Qu-SB is a fantastic choice if you’re mixing your own monitors and want to get the same great sound wherever you play.    
    With all of your settings saved and ready, plus multi-track recording and playback of previous shows for virtual soundchecks, you’ll be all set to play in record time.    
    On top of the 18 on board inputs and 14 outputs, Qu-SB has you future-proofed with plug n’ play expansion up to 38 inputs / 24 outputs via a family of remote AudioRacks.

Qu-SB Mixing Apps

Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat.    
    Qu-SB is designed to integrate seamlessly with the fully-featured Qu-Pad iPad app, providing super-fast, easy access to all settings, including channel processing, meters and RTA views, FX racks, scene management, USB audio control, setup menus and much more.    
    Qu-Pad gives you instant access to all live mixing parameters and frees you to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from on-stage or the heart of the audience by connecting to the mixer over Wi-Fi More info.    
    Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience. More info.    
    Qu-Control is a customisable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around. More info.
    Qu Apps require the connection of a Wi-Fi router or access point to the mixer’s Network port.

AnalogiQTM Preamps

    Qu-SB’s sixteen AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage, closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class, low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

ProFactory Mic Presets

    Allen & Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.

Rack FX

Qu-SB’s dynamics and FX algorithms are derived from those used in Allen & Heath’s pro touring consoles. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu-SB boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.

Qu-Drive

Forget soundcard drivers and software setup, Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB hard drive. Capturing multitrack recordings of your shows has never been so easy. Mixes and FX returns can be recorded alongside channels, and multitrack audio can be played back to the mixer for virtual sound-checks.    
    An independent set of controls is provided for quick stereo recording of the main LR or other mix outputs, and a 2-track USB return can be routed to ST3 for playback of stereo WAV files such as walk-in music.

USB Audio Streaming

    Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.    
    The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIOTM or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.

Expandability

    Qu-SB can be expanded to up to 32 mono inputs via dSNAKE, allowing a convenient Cat5 connection to a combination of remote AB168, AR2412 or AR84 AudioRacks. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’.    
    The AudioRacks unleash all the power of Qu-SB, giving you access to extra outputs for Stereo Matrix, Groups, and extra monitor Mixes.

Automatic Mic Mixer (AMM)

AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time, reducing background noise and minimising the risk of feedback. The Automatic Microphone Mixer feature helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

Qu Ecosystem

Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.

  • 16 local Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 1 Stereo Input (TRS)
  • 12 local Mix Outputs (XLR)
  • 1 Stereo Output (TRS)
  • Expandable up to 32 input, 24 out using dSNAKE AudioRack
  • Up to 11 Monitor Mixes (4 mono + 7 stereo)
  • 4 Stereo Groups (switchable to Mix mode)
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • 32×32 USB Audio Interface
  • Qu-Drive Multitrack Recording / Playback direct to USB device
  • dSNAKETM Remote Audio Port
  • Qu-Pad fully-featured iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • DAW MIDI Control
  • Compatible with ME Personal Mixing System
  • 19” Rack Mountable with optional rack ears
Inputs
Mic/Line Inputs Balanced, XLR and 1/4" TRS jack, fully recallable
Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu
Analogue Gain -5 to +60dB, 1dB steps
Maximum Input Level (XLR / TRS) +19dBu / +29dBu
Input Impedance (XLR / TRS) >5kΩ / >10 kΩ
THD+N, Unity gain 0dB 0.0005% -89 dBu
(20-20kHz, Direct Out @0dBu 1kHz)
THD+N, Mid gain +30dB 0.001% -83dBu
(20-20kHz, Direct Out @0dBu 1kHz
Stereo Line Inputs
ST1, connector Balanced, 1/4" TRS jack, half normalled
Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu / 0dBu
Trim +/-24dB
Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
Input Impedance >7kΩ
Outputs
Mix1-10 and LR Out Balanced, XLR
Output Impedance <75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
Mtx 1-2 Balanced, 1/4" TRS jack
Source (Alt Output / 2Trk Output) Patchable / LR post-fade
Output Impedance <75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
dSNAKE
Inputs Remote source for CH1-32, ST1, ST2, ST3
Outputs Patchable from Mix1-10, LR, Grp1-8, MTX1-4
Compatible with AudioRacks AR2412, AR84, AB168
Compatible with ME personal mixing system
System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
+18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing
Meter Signal indication -48dBFS (-26dBu at XLR out)
Meter Type Fast (peak) response
Sampling Rate 48kHz +/-100PPM
ADC, DAC 24-bit Delta-Sigma
Latency 1.2 ms (local XLR in to XLR out)
0.7 ms (local XLR in to AES out)
Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power 100-240V AC, 50/60Hz
Maximum Power Consumption 150W
USB Audio
Qu-Drive USB A
Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable
Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable
Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
USB Audio Streaming USB B, Core Audio compliant
Send (upstream) 32 channel, WAV, 48kHz, 24-bit
Return (downstream) 32 channel, WAV, 48kHz, 24-bit
Control
SoftKeys 10
Mute Groups 4
DCA Groups 4
Network TCP/IP Ethernet for MIDI and iPad app
Input Processing
Source
CH1-32 Local, dSNAKE, or USB
ST1 Local, dSNAKE, or USB
ST2, ST3 dSNAKE, or USB Stereo
USB Global Source Qu-Drive or USB B Streaming
Stereo Linking Odd/even input pairs
Parameters linked EQ, dynamics, insert, delay, assignments, sends
Link options fader/mute, pan
Polarity Normal/Reverse
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert Assign FX1-4 into Input channels
Delay Up to 85ms
Gate Self-key Sidechain
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell dSNAKE
Non-constant Q, variable, 1.5 to 1/9th
Bell Width Octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
Mix Processing
Channel Direct Out to USB Follow Fader, follow Mute (global options)
Source select (global) Post-Preamp, Pre-EQ, Post-EQ, PostDelay
Insert Assign FX into Mix channels
Delay Up to 170ms
GEQ Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bel
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Non-constant Q, variable, 1.5 to 1/9th
Bell Width Octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
FX
Internal FX 4x RackFX engine, Send>Return or Inserted
Audio Tools
Types Reverbs, Delays, Gated Reverb, ADT Chorus, Symphonic Chorus, Phaser Flanger
4 dedicated Stereo FX Fader, Pan, Mute, Routing to Mix/LR, 4- Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24dB
Trim, 85ms Delay
Talkback Assignable to any mix, 12dB/oct HPF
Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows
PAFL source
Dimensions & Weights (Width x Depth x Height )
Desk mounted/stagebox use 435.5 x 174.5 x 161 mm (17.2" x 6.9" x 6.4")
Rack mounted 483 x 135.4 x 177 mm (19" x 6.9" x 7") 4U
Packed in shipping box 550 x 270 x 270 mm (21.7" x 10.6" x 10.6")
Unpacked weight 5.7 kg (12.7 lbs)

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