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Presonus - Quantum 2626 Agrandir l'image

Presonus - Quantum 2626

Microphone Preamp
Type XLR Female (via Combo), Balanced
Maximum Input Level +10 dBu (Balanced, min. gain)
Gain Control Range 60 dB
Frequency Response 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz)
Dynamic Range > 110 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1 kHz, min. gain)
EIN < -131 dBu (max gain, 40Ω, 22 kHz BW, A-wtd)
Input Impedance 1.6 kΩ
Phantom Power +48V, > 8 mA per input
Instrument Inputs
Type ¼” TS Female (via Combo), Unbalanced
Maximum Input Level +15 dBu (Unbalanced, min. gain)
Gain Control Range 60 dB
Frequency Response 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz)
Dynamic Range > 106 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1kHz, min. gain)
Input Impedance > 1 MΩ
Line Inputs
Type ¼” TRS Female (via Combo), Balanced
Maximum Input Level + 18 dBu (Balanced, min. gain)
Frequency Response 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
Dynamic Range > 118 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1 kHz, min. gain)
Input Impedance 10 kΩ
Main and Line Outputs
Type ¼” TRS Female, impedance balanced, DC Coupled (Line Outputs only)
Maximum Output Level +18 dBu (Balanced)
Frequency Response 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
Dynamic Range > 118 dB (A-wtd)
Total Harmonic Distortion < 0.0035% (1 kHz, +4 dBu)
Output Impedance 51Ω
Headphone Outputs
Type ¼” TRS Female, Stereo, Unbalanced, x2
Maximum Output Level 175 mW/channel (56Ω load)
Frequency Response 20 Hz to 20 kHz (±0.5 dB, 48 kHz)
Dynamic Range > 110 dB (A-wtd)
Total Harmonic Distortion < 0.03% (1 kHz)
Headphone Impedance (working range) 16Ω to 300Ω
Crosstalk
Input to Input < -110 dB
Output to Output < -115 dB
Input to Output < -120 dB
Signal Level LEDs
Clip -0.5 dBFS
Signal -50 dBFS
Digital Audio
Connection Type Thunderbolt 3 (Thunderbolt 1 and 2 compatible)
ADC Dynamic Range 115 dB (A-wtd)
DAC Dynamic Range 115 dB (A-wtd)
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Clock
Jitter < 70 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation > 60 dB (1 ns in => 1 ps out)
Power
12 VDC, 5A, external power supply
Physical
Dimensions
Height 1.75" (44.45 mm)
Depth 7" (177.8 mm)
Width 19" (482.6 mm)
Weight 6 lbs (2.72 kg)

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Presonus

PRESD8CB14

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Disponible chez notre fournisseur Cet article ne se trouve pas actuellement en stock dans notre magasin, mais peut-être commandé auprès de notre fournisseur. Si vous souhaitez connaitre les délais d'approvisionnement, n'hésitez pas à prendre contact avec nous.

600,00 €

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Réglez de manière sûre et sécurisée par Ingenico ou virement bancaire

Presonus - Quantum 2626

Presonus

The Speed of Sound

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the “fastest audio interfaces on the planet.” Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its best—whether you’re recording with or without your favorite plug-ins engaged in real-time.

Timeless audio

Every design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking—coupled with our ultra-transparent, pure analog XMAX preamps—result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms*).

Superior Sound

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

Expansive audio

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface’s ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

The Quantum leap.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio’s size, Quantum audio interfaces will streamline your recording process—you’ll make better music, faster.

Features And Specs

Microphone Preamp
Type XLR Female (via Combo), Balanced
Maximum Input Level +10 dBu (Balanced, min. gain)
Gain Control Range 60 dB
Frequency Response 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz)
Dynamic Range > 110 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1 kHz, min. gain)
EIN < -131 dBu (max gain, 40Ω, 22 kHz BW, A-wtd)
Input Impedance 1.6 kΩ
Phantom Power +48V, > 8 mA per input
Instrument Inputs
Type ¼” TS Female (via Combo), Unbalanced
Maximum Input Level +15 dBu (Unbalanced, min. gain)
Gain Control Range 60 dB
Frequency Response 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz)
Dynamic Range > 106 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1kHz, min. gain)
Input Impedance > 1 MΩ
Line Inputs
Type ¼” TRS Female (via Combo), Balanced
Maximum Input Level + 18 dBu (Balanced, min. gain)
Frequency Response 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
Dynamic Range > 118 dB (A-wtd, min. gain)
Total Harmonic Distortion < 0.005% (1 kHz, min. gain)
Input Impedance 10 kΩ
Main and Line Outputs
Type ¼” TRS Female, impedance balanced, DC Coupled (Line Outputs only)
Maximum Output Level +18 dBu (Balanced)
Frequency Response 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
Dynamic Range > 118 dB (A-wtd)
Total Harmonic Distortion < 0.0035% (1 kHz, +4 dBu)
Output Impedance 51Ω
Headphone Outputs
Type ¼” TRS Female, Stereo, Unbalanced, x2
Maximum Output Level 175 mW/channel (56Ω load)
Frequency Response 20 Hz to 20 kHz (±0.5 dB, 48 kHz)
Dynamic Range > 110 dB (A-wtd)
Total Harmonic Distortion < 0.03% (1 kHz)
Headphone Impedance (working range) 16Ω to 300Ω
Crosstalk
Input to Input < -110 dB
Output to Output < -115 dB
Input to Output < -120 dB
Signal Level LEDs
Clip -0.5 dBFS
Signal -50 dBFS
Digital Audio
Connection Type Thunderbolt 3 (Thunderbolt 1 and 2 compatible)
ADC Dynamic Range 115 dB (A-wtd)
DAC Dynamic Range 115 dB (A-wtd)
Bit Depth 24 bits
Internally Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
Clock
Jitter < 70 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation > 60 dB (1 ns in => 1 ps out)
Power
12 VDC, 5A, external power supply
Physical
Dimensions
Height 1.75" (44.45 mm)
Depth 7" (177.8 mm)
Width 19" (482.6 mm)
Weight 6 lbs (2.72 kg)

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